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MAKING THEATRE
IS HARD

THIS MAKES IT
SUCK LESS

Money. Logistics. Planning. Marketing. The stuff that turns an idea into an actual production.

“For playwrights fed up with institutional gatekeepers.”

— Hannah L., Los Angeles

Producing it yourself?

Whether you’re an actor, writer, early career producer, or a multi-hyphenate who suddenly realized “oh shit, I guess I’m in charge,” getting a show from idea to opening night takes more than enthusiasm.

This isn’t just a bunch of PDFs

It’s a producing
roadmap

Templates, checklists, guides, and planning tools built from real-world producing experience so you can spend less time guessing and more time making the show.

What’s Inside?

Step-by-step interactive
guides covering:

  • Budgeting without losing your mind

  • Fundraising that doesn’t make you feel gross

  • Marketing that actually moves tickets

  • Agreements, IP, and who owns what

  • Stage management & Design basics

  • Tech week survival skills

  • Casting & Rehearsals

  • Venue hunting + producer logistics

  • Merch + Media

  • Touring & Licensing your show

  • And more…

a playbill for Brian, owner of Make The Damn Show, Spies are Forever prouction he produced and starred in. the program is blue and white and held by a hand

Plug-and-play templates
built in Google Drive:

  • Budget Template

  • Ticket Projection Calculator

  • Hiring & Staffing Tracker

  • Pitch Deck Template

  • Production Paperwork Packet

  • Scene Breakdown Template

  • Tech Rider Template

  • Press Release Template

  • And more…

A collage of four different pages of a creative or entertainment-related planning and writing guides, including sections titled 'Writing A Show Blurb That Isn't Boring,' 'SCRATCHPAD: Working It Out,' 'What the f*ck are you making?,' and instructions for a 'Blurb Writing Template.'

Advice from pros who
do this for a living:

  • Brian Holden, Co-owner & Executive Producer, Team StarKid

  • Kirsten Vangsness, Theatre of NOTE & Creator, BITS Reading Festival

  • David Cumming, Co-creator, Operation Mincemeat

  • Rachel Harris, Programmer & Producer (Edinburgh Fringe)

  • Stefanie Black, Artistic Director, IAMA Theater Company

  • Joey Richter, Actor/Writer/Producer, Tin Can Bros

  • Tom DeTrinis, Producer & Co-founder, 30 Minute Musicals

  • Angela Kiessel, Broadway Stage Manager

  • And more…

The excited, smiling audience of Spies are Forever, produced and starring Brain,owner of Make The Damn Show, showing you how to make and produce your own stage show

“A seriously user-friendly and non-gatekeeperey set of tools.”

— Noah S., Western Australia

Who made this?

I’m Brian Rosenthal, a writer/producer with over 15 years of experience making original theatre and comedy.

Through my work with Tin Can Bros and StarKid, I’ve helped raise hundreds of thousands of dollars, toured internationally, worked Off-Broadway and on the West End, sold out at the Edinburgh Fringe, and produced cult musicals like Spies Are Forever and Solve It Squad.

I built Make The Damn Show because when I was starting out, I couldn’t find practical resources that explained what producers actually do. So I made the toolkit I wish I’d had: a clear roadmap, practical tools, and a producing philosophy for navigating the chaos.

Not one “right way” to produce, just a bunch of real ones that actually work.

Need help
producing?

Bring me your half-baked show plan, messy budget, or “how do I start” questions, and we’ll dig in. I’ll give you practical fixes and a game plan you can run with.

✓ A personalized deep-dive on your show
✓ Feedback on your materials, ideas, or production plans
✓ Clear next steps 

Collage of four men at various events: Top left, a man speaking passionately with clasped hands, wearing glasses and a red jacket. Top right, a man in a baseball cap looking at a laptop screen thoughtfully. Bottom left, two men in gold jackets showing something on a device to each other, one holding a camera. Bottom right, a man smiling and giving a thumbs-up at a convention with posters and banners behind him.

Photos: 54 Below (NYC), Dynasty Typewriter (LA), Cat’s Crawl (LA), Edinburgh Fringe

FAQs

“It feels like having a producer friend sitting next to you.”

— Sam M., New Jersey